Monthly Archives: November 2016

Ethnographic Research in Hoboken & Manhatten

When I was walking to work, I was completed stopped, dead in my tracks, when I saw some silver disco heels. It turns out, a customer going into Anthropologie, in Hoboken, was flattered by my obsession to the shoes and allowed me to ask her some questions. Maggie, a 21-year-old student from Stevens Institute of Technology and currently residing in Manhattan, has a mixture of both city attires. Here is how our conversation went about her style. This is her below (her face is hidden for privacy):

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I started with the shoes, of course. She explained that she always wears black, so she likes to add color/sparkle to her outfit with accessories. She bought the shoes on Washington Street in Hoboken during a clearance sale at a shoe store. She said it was the best price, and people usually stop her on the street to comment about it. She usually wears them to go out. When I asked about to describe her style in three words, she just laughed and gave me one word: simple. Maggie said she usually wears flats in the summer and black or brown boots in the winter. Occasionally, like the shoes she had on that night, she dresses up more when she is going out. It is usually a dress or skirt with tights that is her go-to outfit.

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I wanted to know about dress codes. She wanted to keep her job anonymous for privacy but says she works in retail. She said she is asked to dress business casual which means no blue jeans, but also not exactly a suit. She was so open and friendly, so I asked if living in Manhattan makes her feel any pressure to style or dress herself a certain way. She answered immediately: yes! She said that everyone dresses so fashionably. She even knows a girl at work who was featured in Cosmopolitan magazine for her work dress style. She stated that she wants to dress in the newest fashion, but comfort is also important since she must walk from city to city every day. What I found the most interesting is that she commented how her work clothes and her “going-out” clothes over-lap sometimes. She says some of her dresses, which are mostly black, can be used for both occasions which is nice for saving money. As a student, I could relate to her shopping needs in wanting to have a versatile wardrobe.

When it comes to shopping habits, in my next form of questions, I asked about colors she liked. Maggie likes darker colors because she can wear them together without thinking too much. She surprisingly owns mostly red clothes, so she says it must be her favorite color. When it comes to shopping, Manhattan has everything available for her to buy clothes at a reasonable cost. She likes Express and H&M. She has bought from places like Banana Republic and JCrew, but it can be expensive, she said. It’s hard to stand out, she explained, because Manhattan has so many people who can afford more than she can. Again, I understand the struggle to buy street-wear, but still have money for important things in life like rent, tuition, etc.

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Since I take so long to plan my outfits, I asked her if she does any planning or if she just throws an outfit together in no time at all. She said she plans outfits too by saying she tries different outfits before she leaves the house. She says a challenge in the city is staying warm and looking nice (when referring to the winter season). She dresses for her girlfriends because she wants them to think she looks nice. My favorite part of our conversation is when she said: “I think getting a compliment from a girlfriend that they like your outfit is better than a guy saying you look hot or something”. It made me laugh and feel like she was empowered in who she is. Also, she tends to shop alone or shop online a lot after a long day. People, and tourists, in stores can be too much sometimes. To end, I asked her again if she would add any words to my previous question about describing her style in three words. Looking at her glitter heals, she added “fun” and I couldn’t agree more.

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Eco and Stallybrass in Decoding the Meaning of Clothing

Both Umberto Eco and Peter Stallybrass, through different perspectives, capture how clothes go beyond the idea of objects to become symbols of past and present motions. Eco and Stallybrass, as well, have a similarity in using “I” in their texts to create a personal narrative. To start with Eco’s Social Life as a System, there is a clear emphasis on fashion being used as codes, messages and symbols that are acted through gestures and demeanor. He states: “I am speaking through my clothes…Obviously fashion codes are less articulate, more subject to historical fluctuations than linguistic codes” (Eco 144). His comparison of semiotics in clothing are interpreted just as easily and frequently as our movement is. Fashion symbolizes class and economic standards. It divides us in social boundaries, but somehow is our common thread, as well. To understand these linguistics, Eco states: “The task of semiotics is to isolate different systems of signification, each of them ruled by specific norms, and to demonstrate that there is signification and that there are norms” (Eco 145). Using these norms as a starting point of comparison can help us in decoding each other’s symbols and signs. Just as Eco also echoes in “Lumbar Thought”, a pair of jeans transformed his demeanor and he developed a new set of symbols embodied in his physical movement.

Analyzing movement is emphasized in Stallybrass’ analysis of grief in clothing of those who have passed away in how the human movement is now gone, but there is still something, something almost magical, moving around in the fabric. That is what is called the imprint. When speaking of the death of his friend Allon White, he states: “For Jen, the question was whether and how to reorder the house, what to do with Allon’s books and with all the ways in which he had occupied space” (Stallybrass 35). By his use of literary language, Stallybrass is emphasizing that the signs of remembrance, like Allon’s books, still existed around them; his signs stayed even though his physical body had left. Stallybrass talks of memories as the imprint of a person and the power in processing that memory comes from within in us.

When my mother’s mother passed away, there was this spree and excitement for my aunts to gather as much of her personal items as quickly as possible. The stampede to her home in Waterbury empathized a true fetishism in my grandmother’s belongings. The pearls she bought after my grandfather returned from war, the sapphire rings she collected, and the many cashmere sweaters she wore during the seasons seemed to be a commodity, as Karl Marx would see it; these items were so valued for their price that the memory of my grandmother faded. My mother, however, started fidgeting with the fake diamond pins she seemed to snag out of the items that were taken. They were my grandmother’s, and when I asked my mother why she wore them, she said she could feel my grandmother’s presence with her. Here is where I saw my mother’s power in imprinting my grandmother’s memory. She didn’t need the most expensive item to feel her own mother’s love; she needed something that reminded that she had strength from the ones who passed away in her life. My mother sat in a hospital for two months watching my grandmother withering away while my aunts sat in their homes, far away from the horror, and all they wanted was stuff. It’s just stuff.

The true reason why clothing becomes a memory is by the senses of the body, and the magic that makes you feel somehow secure knowing that that pin sat on someone else’s shoulders for a long time. It’s as if the pins, gathered on my mother, would be like having little imaginary former lives of memory helping her make decisions in the present. The magic of those moments, and the symbolism of some cheap Macy’s pin, as I believe Stallybrass would agree, gathered meaning because some wore it.

Clothing is different because it touches the body; it has direct connection to that person’s movement, the environments they both enter, and the way they live on that person and in return, the clothing becomes the life. It can be frightening if you think about and this terror is captured by Vladimir Nabokov as he states: “Her dresses now wear their own selves, her books leaf through their own pages. We suffocate in the tightening circle of those monsters that are misplaced and misshapen because she is not there to tend them” (Stallybrass 40). And maybe that’s the point: we need to keep this circle motion going of tending to these items so that they continue their own path of life along ours. Clothing truly haunts us and that adds comfort, along with some mystery or terror, to how clothing is truly grieved.

Eco and Stallybrass understand the physical whether it’s in how we move as people when wearing clothes, or the physical texture of clothing that imprints a person even after the person is gone. Beyond capitalism and fetishism, which do exist in the fashion industry, symbolic meaning of clothing is a long last influence, and is preserved by us as people. Whether alive or not, the codes of a person are embedded in their clothing, truly shaped into it, so that their presence cannot leave. The materiality of clothing by sharing and reusing clothes, shows that clothing is also a sign of a long journey, collecting memories as if they item can be personified forever. The magic then, is accepting the movement of the present and how movement continues in the past to provide a real mystery to the definitions of life and death.

Work Cited

Eco, Umberto. “A Theory of Semiotics.” Social Life as a Sign System (1976): 143-47. Web. 23 Sept. 2016.

Eco, Umberto. “Lumbar Thought.” Umberto Eco (n.d.): 315-17. Web. 3 Sept. 2016.

Stallybrass, Peter. “Worn World.” Clothes, Mourning, and the Life of Things (n.d.): 35-50. Web. 23 Sept. 2016.

Floral Park- Engagement Project


I decided to observe a local boutique in my suburban town of Floral Park located in Nassau County on Long Island. Mimg_0949y neighborhood is predominantly made up of families of Irish or Italian descent. It is comprised of upper middle class families. K. Hunter Boutique is a quaint and fashionable boutique located on 59 Covert Avenue. They sell many clothing items such as tops, sweaters, jackets, jeans, skirts, img_0950dresses. As well as accessories ranging from hats and scarves to jewelry and hand bags.

Many people prefer shopping at local boutiques

rather than department stores because people

iroimg_0948nically long for a sense of

individuality while trying to conform and fit in.

Boutique clothing is not mass produced but it is

“fashionable”, so most people will not have the same

exact shirt as you but it may be a similar style. This

particular store does a good job in advertising and

marketing. Their Instagram page is promoted in store,

and on their website and they post new pictures of different looks

regularly.  One girl who regularly models for this is actually a senior at

my old high school. This is a clever marketing technique because this girl

will tell her friends and family about how she shoots with the store, which

ultimately gains more customers for the boutique. Since they are a small

business they don’t market by being in magazines of having commercials,

but by word of mouth.

The store is not very large and includes trendy apartment details like clever wooden sayings and mugs. img_0954-4The demographic is aimed towards females aged from 15-25. However, while observing, I noticed many mothers liked to shop around. Priced slightly high, I would say it was somewhere between Forever 21 and Express. The store is decorated according to seasons and holidays, with a beautiful autumnal scene set in the front window. Along with the visual design of the store they receive new merchandise every week which encourages shoppers to buy now, because “what if I regret buying it and I come back and its gone?!”. This constant rotation of style and merchandise allows them to keep up with the fast-paced fads in todays fashion society.

On their website (http://www.khunterboutique.com/) if you click on their “About Us” section you can read the following…
“Welcome to k. hunter boutique!

Here at k. hunter boutique we specialize in handpicking our merchandise based on not only style, but comfort. Because we are a boutique we carry only a few sizes of each style and are constantly adding new arrivals making each look uniquely yours. We believe that while it is a top priority to look amazing, you should feel amazing as well. Our hand picked merchandise can be dressed up or dressed down based on your occasion. Whether you want to look fabulous for a night out, or feel comfortable for a more relaxed event, k. hunter has the perfect outfit and accessories for you!”

 

This shows how the store prides its self on making its customers the ultimate “it-girl” with the latest styles, fashions, and accessories. However one could argue that the whole concept and goal of the store is very trivial in the sense that it is fad fashion that is breeding the “popular girl”.  As they say in their “About Us” they carry only a few sizes. While looking through the store I noticed they don’t carry many sizes for larger women. Also their Instagram doesn’t feature any models or staff of color or other racial background other then Caucasian. On the surface it may seems like just another sweet hole-in-the wall boutique but once I analyzed further into the store I discovered that its just another Forever 21 disguised as a store that sparks individuality which it actually doesn’t. Because their merchandise isn’t mass produced it allows them to claim a false sense of individuality, which is probably what the typical Long Island girl is looking for.

Growing up on the island was quite an experience for me. Living in a town where everyone else looked and was brought up the same was a challenge for me. At a young age i hated my heritage and culture because kids at school made fun of it. It wasn’t until I was about 17 that I learned to love my cultural differences and heritage rather then be ashamed of it. I became more aware of my surroundings and stopped trying to fit in. The typical Long Island girl wears riding boots, leggings, a flannel shirt and a vest on a cold Autumn day. I didn’t realize how much this massive culture of conformity made me cringe until I was old enough to understand and educate myself on worldwide fashion. Living in a small town on Long Island is like being trapped in a bubble where anything (food, dress, behavior, physical appearance) out of the norm is frowned upon.  But once I started reading and experiencing the rest of the world and their view of fashion and how true individuality was celebrated I wanted to leave Long Island. It is a great place to live but not a great place to grow and discover ones self.

K. Hunter Boutique is a quaint and fashionable boutique located on 59 Covert Avenue. It is the pinnacle of Long Island fashion and feeds into social conformity and while it does sell some nice pieces, its just another store for Long Island teens to buy clothes that will give them little sense of individuality.

Engagement Project

Midterm Part 2: Engagement Project


Although I grew up in Rockland County, I moved to Kew Garden Hills in
Queens for college. I thought a lot about what I wanted to do for my engagement project. I decided instead of my usual phone conversations as I walked home, I would put my phone in my bag and observe the change in demographics as I walked further away from school and see where the walk would take me. School is the biggest mix of cultures you’ll find, but I wanted to see what else I would notice. As I walked further away from Queens College, the biggest thing I noticed what the far wider age gap. Young and old, it was apparent that people were on their way home from school or work.

As I walked past a grocery store, there were people rushing in and out. At a small supermarket like this, I wasn’t shocked to see a whole range of people rushing to and from. One women was dressed formally as she presumably made a stop in the store on her way home from work, another mom I imagine in middle of cooking dinner and needed to buy an ingredient or two.

I continued walking down Main Street, and reached a small yogurt and coffee store on the corner of Jewel Avenue and Main Street and stepped inside. I knew I was looking to find some sort of art‐related store, and realized the personal form of art one expresses when choosing amongst the dozen flavors of ice‐cream and choosing toppings from the variety of options.

Inside the small store there was a row of seats along one side of the store, the other side of the store lined with different soft‐ice cream flavors and toppings. Immediately to the right when you walk in is the counter to pay. Contrasted to the bustling street outside, the small yogurt store was rather quiet. As I ordered coffee, I struck up conversation with the cashier.

He was a friendly young man; I’d guess around mid‐30s. He was a bit messy, and wore store‐apron on top of a well‐worn t‐shirt and pants. I noticed he had a thin gold ring on his right hand. As he began to prepare my coffee, I made a remark of the quietness in the store and the bustle outside. He let smiled in agreement and explained that now was dinner time, and because his store was deserts and side dishes, this was the quietest time of the day. I then asked when was his business times and what kind of customers did he got on a daily basis, and he told to me. He explained that Sundays throughout the year and the summer season specifically was his busiest day. He said that because of his main location, he had a wide variety of demographics as costumers. Parents with their kids, grandparents with their grandchildren, school kids and their friends.

As we continued our conversation, he told me about himself. He said he just starting working in the store after struggling to find steady work. Until now he had done odd jobs but didn’t have a set schedule. His wife just became pregnant with their first child and he felt great responsibility in having a steady income.

I heard a gentle cough behind me as an older man with his grandson waited to pay behind me. I thanked the cashier and left, only after realizing I had failed to catch his name. As I finished my walk home with warm coffee in hand, I reflected on the vast differences of the lives of the people I pass by on a daily basis. Though drawn in to the store curios to see what kind of yogurts people were getting, I walked out with different curiosity; of wanting to know more about the people that I pass by working every day.

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Peter Stallybrass, “Worn Worlds”

Peter Stallybrass, “Worn Worlds”: Handout 3, Question 3

(Short Essay #1)


It was interesting to read both Stallybrass and Eco and how they discuss the effect clothing has on us as we wear it, and both support their writings through personal experiences. It was interesting to notice that although they reached the same conclusion, they had two very different methods of getting there.

As Stallybrass focused on clothing’s effect on us, he referred to the memories it holds of us in an emotional sense. We live through our clothing, and it hold onto our memories after we die. The garment will forever contain an intangible part of us, unseen to the inattentive eye.

Eco in his writings focused on the physical comfort aspect in two ways. Firstly, we feel more relaxed wearing jeans. When wearing jeans, we’re less worried about our clothing getting creased or dirty. Secondly, the clothes we wear can affect our demeanor. We carry and present ourselves differently depending what genre of clothing we are wearing.

At a cousin’s wedding last month, I wore a gown that I had also worn at a friend’s wedding this past summer. The gown matched both of the wedding’s color schemes, and I was ecstatic to be able to wear the same dress twice. Not only did this save money, it also saved a lot of time shopping for a second gown.

While reviewing the authors points, I realized I can relate to both of the writers discussed. As I learnt from Stallybrass, the gown reminded me of the first wedding I wore the gown to, and the feelings I experienced at that friend’s wedding. As I put on the dress during the second wedding, I thought back to the first wedding and how exciting that day was. Furthermore, as I also learnt from Eco, the gown also affected my demeanor. When I wore the gown I felt formal and was careful to act in a dignified matter. I felt elegant and regal, and was well aware that people were constantly watching me.

I learnt a lot through reading Eco and Stallybrass’s work. It gave me new ideas to think about, and taught me things about life that I’ve never noticed before. I look forward to reading more articles and learning new things from these authors.

T-Shirts

T-shirts

(Short Essay #2)


Sold in all designs, sizes, and styles, I always took t-shirts at face value; just another of the many alternatives of what to wear. But when we learnt about clothing and t-shirts in class, my entire perspective changed.

Of the many things I’ve learnt from class, one thing specifically that sticks out to me is the value a seemingly simple shirt could have. Whether it’s a shirt you’ve picked up in a fancy NYC mall or something you thoughtlessly bought in thrift store, the shirt wasn’t just ‘born’ there. Was it a single mom trying to make ends meet who sewed it in Bangladesh, or maybe a grandfather in China working because he doesn’t have retirement funds? Whoever it may be, I’ve begun to appreciate my clothing more. It amazes me to see something I’ve seen my whole life on such a basic level suddenly have an entire world uncovered.

When we had our workshop in class to design our own garment from recycled clothing, it was so wonderful to see everyone’s stories they brought into class with their clothing. Each piece had it’s own history, it’s own story. It was beautiful to see everyone come together and share a piece of themselves with their project partners to create something new.

My team is comprised of myself, Sehara G, Sarah L, and Avivah G. We each brought a shirt that had meaning to us and together created a skirt. Throughout the workshop, my team and I worked together to create our ‘Skirt of Memories’ that creatively expressed all of different personalities and memories that we bring along within us.

Working on a project like this (specifically with our FYI class) had special importance because this is a rare class made up of only freshman. Similar to the new, evolved garments we created from sharing our old t-shirts; as freshmans we too are working over the next few years on creating “newer”, more educated, better versions of ourselves as we learn and share with each other.

Through this multifaceted workshop, it was a unique opportunity to meet my classmates and learn more about them. I look forward to more opportunities like this in the future!

The T Shirt

The T shirt industry is a worldwide manufacturing production. As we read in the article “Two for A Penny”, by Pietra Rivoli, there is an entire T shirt industry in Tanzania. The T shirts are shipped in from various places, as it states, “the labels reveal that most of the T shirts were born in Mexico, China, or Central America.” The shirts also arrive with a backstory: “the T shirts also reveal something about their life in America.” These shirts are sold secondhand for a bargain. There are different strategies and methods for picking out which shirts to accept and sell, and how to sell them. Although the concept of the auction-like marketplace in Tanzania may seem foreign to us, to the locals it is as normal as an American buying a T shirt in any local store. The author draws a comparison between their Tanzanian marketplace to being their “Walmart”, as he writes, “the dregs are piled up, Mitumba’s answer to the clearance table at Walmart.” This article is eye-opening for different reasons. Firstly, it shows us where the clothes we donate to the Salvation Army goes. Also, it makes us realize how global the T shirt industry is. In addition, it shows us that although we may feel very distant from a village in Tanzania, they go T shirt shopping just like we do, and it is a worldwide aspect of culture. An article written by the New York Times, “The T-Shirt Industry Sweats It Out”, by Isadore Barmash, speaks about an aspect of the T Shirt industry which shows American T shirt culture is not necessarily that much more sophisticated than the Tanzanian one: “T-shirts are the only clothing sold not just in stores, but also on the street, in gasoline stations, bowling alleys, movie theaters and zoos. A single shirt can fetch as little as $5 or as much as $150 when sold in boutiques.

The T shirt industry also creates jobs worldwide, which on the surface seems like a good thing. In both Columbia and Indonesia, many seek out work in the lucrative garment industry. Yet if you look at these jobs on a deeper level, you will see that wages are low and working conditions are far less than ideal, even more so in Indonesia. Still, many people in these places have no choice but to accept these jobs. Upon further study, I have found that there is currently a human rights study going on in Indonesia held by these garment workers about human rights abuses in the industry. A website called cleanclothes.org discusses the case as follows: “Evidence has been gathered which demonstrates issues such as illegal compulsory overtime, inhuman productivity measures, wage theft, systematic denial of social security payments, sexual harassment and gender discrimination, and active suppression of the right to freedom of association.” I think this is a very important situation and not a widely known one. Spreading awareness of this cause is essential. While we appreciate out T shirts and get good wear out of them, we also have to think about where they come from and the human beings making them.

While I was thinking about the people who make my T shirts, I actually created a garment myself. During the Shelby Head workshop, I had the opportunity to create a T shirt based creation with my peers. Using T shirts that all had sentimental value to us, we gave the material a new life by combining them all into a skirt. I specifically appreciated that my group made a skirt, being that we are all religious Jews and follow a specific dress code that requires us to wear skirts. I appreciate this dress code as a part of my heritage and culture and appreciate the opportunity to reflect that in our project. We worked together to use techniques Shelby showed us, such as fringe and bunching up the material. While it was strange to see shirts that held emotional value us being cut up, we created an entirely new garment that now has it’s own story.

Engagament Project

Context:

For my Fashion of Cultures engagement project, I had the privilege of spending a wonderful afternoon at a warehouse in downtown Brooklyn, Sunshine Vending Inc. I observed the typical scene of the warehouse, the fashion industry involved, and spoke to some of the hard-working people that strive to keep the company operating at it’s best. I chose this location for my project because I pass it while driving to school and have always wanted to find out more about what takes place in this local hub of business.

Meet the Team:

Meet Alfredo- Alfredo is a fifty year old male who has been with the warehouse for about two years. He spoke to me about the long hours and difficult labor the job entails. He said the work is well worth it at the end of the day when he walks away with his paycheck to provide for his family along with a sense of satisfaction. “We are good people doing honest work,” he explains while tossing his hands up in the air and smiling. Now that minimum wage is higher, he feels more fairly compensating for his labor, as opposed to being exploited. While Alfedo is relatively new on the job, compared to some of the other employees, he says he finds a sense of security in the warehouse. “We trust each other,” he says simply. “We show up, we sort things, we load the trucks. Sometimes we even ride along. We listen to music, we joke around. But at the end of the day, we get the job done.” Alfredo also spoke about his English getting immensely better during his two years on the job.

Alfredo is seen wearing durable blue jeans, a baseball cap, sneakers, and a sweatshirt. His outfit shows that he is dressed practically and ready for intense labor. His sweatshirt serves as his protection against the cold in the air. Also, the logo across the front is promoting Hollister, wether he intended this or not. His jeans remind me of Echo’s article, in which he describes blue jeans as the pants of practicality since they are not like to crease or spot.

Meet Paulette- Paulette is a forty two year old female who has been with the warehouse for about seven years. “I’ve got the seven year itch,” she says with a twinkle in her eye, “this is my last year here at Sunshine.” She spoke to me about the ups and downs of the years on the job. “When the weather is good, the job is good. When it snows, we still work. When it rains, we still work. Rain or shine, we’re out here getting the job done.” I asked Paulette what her plans are after Sunshine, to which she replied “I’m following my dream sweetie pie. I’m going to make it big in show biz.” Paulette then lectured me about being young and following my dreams. She sent me off with a pat on the shoulder, a chocolate bar, and some encouraging words to “Live big.”

Paulette is seen wearing the same basic work articles as Alfredo and Ferb. While she is also sporting a practical knapsack for her things, she is wearing what seems to be the standard. A baseball cap, durable work pants and a simple shirt, and comfortable sneakers. Within this sem-genderless work outfit both men and women seem to sport, Paulette shows off her femininity by wearing her hair loose and having her nails done a bright blue.

Meet Ferb- Ferb, a sixty year old male, has been in charge of this part of the warehouse for ten years. He constantly looked around to make sure things were getting done as they should. “I run a tight ship, but in this business, it’s the only way,” he explained while showing me the sign out sheet he asks employees to sign when they take a break. “We keep the environment enjoyable, but we also gotta do what we gotta do. We gotta answer to someone. Always someone to answer to.” Ferb seems to really know his way around the business. He walked around constantly helping everyone with their job, showing them the best way to do things. He also spoke about the long hours and harsh weather, but overall seemed to be happy with his job and confident with his position. I asked Ferb if he plans on moving any higher up in the company, to which he responded “That or retirement. Whichever comes first.”

Ferb is seen wearing a outfit similar to Alfredo’s, durable blue jeans, sneakers, and a sweatshirt. This confirms my

analysis of Alfredo’s outfit being the typical outfit of practicality in a labor-based workplace. Ferb’s collared shirt and belt dress up the outfit a bit, perhaps to assert his position of leadership. I also noticed Ferb’s large watch which stands both a fashion statement and a way to keep track of time management in the warehouse, which is an essential part of Ferb’s job. The paper’s in Ferb’s hand and pen in his shirt pocket also contribute as part of his outfit, being that they show his commitment to his job.

Fashion in the Workplace:

People do not dress to impress here; rather, they work hard to find clothes that help them get the job done effectively. The general fashion sense is one of durability and practicality. I thought it would be interesting to ask the employee’s I had the chan

ce of speaking with what their dream outfit would be, in order to see how much that would differ from what they essentially were forced to wear to work. Alfredo did not pause before saying, “A custom tailed suit Or anything purple.” Paulette took some more time to think about her answer, and finally settled on, “Something with floral print. Maybe a dress. I can’t wear dresses to work here, or even a skirt. I wouldn’t mind showing a little leg once in a while.” Ferb seemed a little confused by the question and simply answered, “This.”

I also found it interesting to see how each employee brought their own flair within this larger pattern of clothes meant for labor. Alfredo’s cap had a South Beach logo, Paulette is wearing sunglasses, and Ferb’s shirt is orange. These are not necessarily par of their “uniform” but show us something about their fashion taste and/or personalities I relate to this on a personal level. Following a religious dress code that entails me wearing skirts which cover the knee and shirts which cover the upper arm, I strive to find my own individuality within the larger “uniform” of my religion.

General Observations:

Overall, my experience at the Sunshine Vending warehouse was an eye opening one. The employees all seemed to genuinely enjoy their jobs, while simultaneously recognizing the hard labor it entails and have immense respect for one another. Even though the employees at Sunshine’s warehouse wear somewhat of a uniform, the individuality and uniqueness in their answers give us a glimpse into their diverse fashion senses. Even if people have to dress a certain way due to practicality, a dress code, or other reasons, that does not necessarily mean that it is their ideal fashion sense. The warehouse itself is a hard-working environment, yet you can also feel a sense of comfort in the air. The colorful variety of snacks and beverages that line the shelves and floor give the warehouse a playful feel, in contrast to the visible age and wear and tear that can be observed on the warehouse itself from the outside. Spending the afternoon here made me realize there is much more behind every industry, job, and person than first meets the eye. Every person has a story to tell. They may just be waiting for someone to ask.

Tabii Just: Tabitha St. Bernard Workshop

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(Copyright for the first image, as part of Tabitha’s collection is here.)

For the CUNY Graduate students, we had the pleasure of meeting Zerowaste womenswear designer Tabitha from Tabii Just. She helped us all to use “scraps”, or fabric that has been discarded from other designers, to develop our own outfits that including scarves, dresses, and accessories. It was a pleasure to learn about Tabitha’s inspiration and approach to having no fabric wasted to make her beautiful designs.

What Tabitha explained to us is that excess fabric comes from designers getting fabric that is one color off, or they have too much of a certain fabric, so vendors sell the excess. She was intrigued about how much fabric ends up in landfills once it becomes excess and wanted to do something about it. She was inspired by the idea of using rectangle shapes when producing her clothing.

She emphasized that these “scraps” are not actually scraps, because when they are sewn together, it becomes one bigger and complete piece. An important fact to remember with Zerowaste is that 14.3 million tons of textile waste is generated each year. With Zerowaste, those textiles can be used instead of ending up in landfills.

She focuses on being local, USA made, and e-commerce. E-commerce has three elements: it’s direct to the consumer, prices are lower, and there is more control of the market. A bonus is that her clothing is timeless. That means that she can produce off the Fashion calendar and make clothing that is wearable for all seasons. She believes in function and beauty.

Below are photos from the workshop, so everyone can see how the workshop went.

To learn more about Tabii Just, she has a website and a Facebook:

http://tabiijust.com/

https://www.facebook.com/TabiiJust/

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NY Engagement Project: Bushwick, Brooklyn

1I have been living in Bushwick, Brooklyn for about 3 years now. When I first moved here, I was nervous. It was quite a distance from FIT and there wasn’t much going on at the time. The realtor told me not to worry and to just wait. Things were about to happen to this neighborhood. I did and I am so, so, so happy I did. I absolutely love living here. So many small businesses have opened up. From beautiful and yummy restaurants t
o amazing vintage stores you can find everything in Bushwick, now!2

I decided to do my engagement project on Bushwick because I am always inspired by the way people dress here. The    have an edgy style but with a laid by effortless look. You can always see people that live here at different local vintage stores curating their style.

Also, the décor in many bars and restaurants is amazing. I am always inspired when I enter a few places because of maybe the wallpaper or the p3aintings. You can tell people have put a lot
of thought into it.

I recently ran into someone on the street that I knew through a friend. This happens a lot in Bushwick! I know many people I went to high school that have moved here over the years.

She was the perfect type of person I was looking for to explain how I see Bushwick. She has lived here for over 3 years and has watched the neighborhood expand. She usually stays in Bushwick on the weekends and just hangs with friends at local bars. She loves rummaging through many of the local vintage stores to create her style. She definitely has the effortless style that I see in many people that live here.

4How does your style give you confidence?

Style gives me confidence because it makes me feel like I am in charge of the entire day when I am styles right. If I look good and feel like my outfit speaks to my personal style, I feel like I can conquer anything the day throws at me.

What is your biggest style influence? 

My biggest style influence is definitely Stevie Nicks. She had such an easy, carefree style while still being cool that I like to replicate.

What would you say is a quintessential “Madeline” outfit?

HAT! any kind of wide brimmed hat or beanie, easy tee, leather jacket, funky black booties. And lots of gold or silver jewelry.