Our Professor, Eugenia Paulicelli, told us we would be having a lab, in which we would be taking a regular old T-Shirt and transforming this garment into something else. My group decided to take a red T-Shirt and transform this shirt and a pair of wearable shorts. We stretched out the neck as much as possible without tearing or ruining the shirt and had one of our members wear the shorts and from there we experimented. Our first idea was to put the sleeves inside the pants to not have them dangling outside and we realized that the sleeves tucked inside themselves could make great pockets. Next we had to get rid of the dress/loose look that came from the shirt waist just dangling with no support in between the legs. We grabbed the middle part of the shirt to distinguish a right and left leg hole and hot glue gunned to securely hold the middle. We took scissors and added some holes and slashes to give it a more street look. For the chest and head, we added a black bandana and a white T-Shirt cut down on sleeve to make a poncho. We created a new form of street style/gang style.
Author Archives: Rob Garfield
From Shirt to Skirt
Saad, Shamsiya, and Isabel’s T-shirt Workshop
Turning a t-shirt into something other than an ordinary t-shirt proved more difficult than we had anticipated. However, we collaborated, and found the process rather enjoyable as we were able to think creatively with fabric. For this workshop, we used one of Saad’s t-shirts. We initially thought of turning the t-shirt into a dress, but our t-shirt wasn’t big enough. With a little bit of experimenting, we stretched out the neck of the t-shirt, and slipped it over our model’s (Isabel) hips to make a skirt. We twisted the little sleeves and tucked them into different parts of the skirt to create an asymmetrical shape. Taking newspapers and magazines, we began to cut out pictures. At first, we thought we should cover the skirt with pictures and words. There were plenty of pictures of food, so we thought that would be our theme. Instead, we decided to keep it simple. We left the majority of the skirt plain. A few clippings of the comics from our newspapers was added to one side of the skirt. This would give it the quirky design we wanted, without being too over the top. We also made a belt out of red construction paper, but decided only to put it in the front of the skirt to keep it as simple as possible. The simplicity of the white fabric of the skirt contrasted with the little red belt, and the few pictures. We had collectively made a complete masterpiece.
T-Shirt Transformation
My group used a grey t-shirt, a white t-shirt and magazine pages to transform these old objects into something new that can act in unison. We were inspired by the Japanese kimono. We decided to add our own original touch to it by not creating a slit directly down the kimono. In order to wear the shirt, the person must slip it over their head rather than them wearing it like a jacket. The grey shirt under the drape was cut from a t-shirt into a halter top. I decided to add the fringe and braiding to draw attention to certain parts of the shirt that I felt needed something more. The circular piece of folded magazine paper really captured a focal point of the shirt. This activity helped me realise that old clothing can be transformed int something new and fashionable. Before this workshop, I thought I was not creative and that my renewed shirt would end up looking horrendous. I was able to come up with the idea of adding braiding and my group members loved it. I didn’t know I was capable of being creative and imaginative but this piece of clothing taught me otherwise. We didn’t exactly have a specific inspiration for this piece. We brainstormed and all decided whether we liked an idea or not and if it was feasible. We were all very proud of our end result and we had a lot of fun during the process of creating it!
-Julia Francione
Refashioning Old T-Shirts
Fashion is more than just clothing. It simple defines who we are as a whole. When we were told to bring in an old t-shirt or a garment in which we could cut, I for one thought, what in the world could I possibly do with this? I didn’t think it was feasible to take an old t-shirt and create something else out of it. But that morning, when we all sat down and got ready to work, I was instantly proved wrong.
We used two t-shirts; a plain white one and a grey with designs on it. After one idea was thrown out there, many ideas followed. Everything came to us and started to flow easily. Together, we worked on the grey shirt and cut the sleeves to turn it into a muscle tee. Then we decided to fringe the bottom of the shirt to give it a new look. The white shirt was initially going to be used as a kimono of some sort, until we realized that it looked better once it was cut shorter and also fringed on the side. Then, we pulled the middle of the shirt up, in the front and back, and placed the design made from the pages of a magazine.
I don’t think we really had an inspiration for this. It was all about trial and error, and finding out what seemed to work best. In the end, we were pretty pleased at what we had accomplished.
Short Essay on Planet Money T-Shirt
A T-Shirt Is Born
Who knew that a simple T-shirt had such a thought-provoking inception. From its creation to the retailer and consumer, the T-shirt steps are fascinating and interesting. One cannot imagine that since its birth, the T-shirt goes through various processes in several environments.
As an illustration, NPR’s Planet Money, an American podcast and blog producer, conducted research in 2013 to learn how a T-shirt is made. They set out to find the best cotton and found it at the Mississippi Delta farm. As a matter of fact, most cotton used throughout the world comes from the United States, where cotton is king. Cotton is so big in the United States that since 1950 cotton yield has tripled. How does all pf this cotton get picked? By using John Deere 7760 pickers – these massive self-driving, finely tuned machines can sense the cotton plant stalks and twist off their cotton puffs. Cotton will continue to get more productive as the technology improves. As an example, today a 7760 driver can pick 100 acres of cotton a day.
Picking and growing cotton is a high-tech business. Ninety percent of United States cotton is genetically modified; it comes from seeds that are designed in labs to produce more cotton and resist pests.
After the Planet Money team’s cotton selection, they traveled to Indonesia where the cotton for the men’s T-shirt was spun.
Similar to the cotton production, yarn is also high-tech. A machine sucks fibers close together creating yarn. The product has fewer twists per inch, making Planet Money’s men’s T-shirts softer and more comfortable. Incredibly, the T-shirts were made with six miles of this yarn.
After the cotton was picked, the yarn spun, all pieces were shipped to Bangladesh for the men’s T-shirts assemblage.
Yet, under what conditions were the T-shirts made in Bangladesh? Who are the people behind the assemblage of the T-shirts?
To understand how Bangladesh was selected to complete the T-shirts, we need to understand the trade agreement introduced in 1974 by President Richard Nixon.
The Multi-Fiber Arrangement (MFA), an international trade agreement on textile and clothing, was active from 1974 until 2004. The agreement imposed quotas on the amount that developing countries could export in the form of yarn, fabric and clothing to developed countries such as the United States.
How does Bangladesh fit into this pact? Let’s take a look at South Korea. In the 1970’s South Korea had reached their quota and were no longer allowed to export to other countries. Because Bangladesh was in financial dire straits and South Korea needed to continue their export operations, these entrepreneurs joined forces with South Korea to set up textile factories. Hence, the Bangladeshi garment district was born. Today Bangladesh factories employ approximately 4 million people.
With so much talk of sweat shops and hazardous working conditions, what are the settings for the workers who assembled Planet Money’s men’s T-shirt?
Let us take a look at two Bangladeshi factory workers – the women who made the men’s T-shirts. Since the MFA, there have been huge changes in Bangladesh. These changes have altered the lives of its residents. Two women that have been affected by these changes are Shimu and Minu. They work six days a week, 10 hours a day at Deluxe Fashion Limited among hundreds of women. At the time of Planet Money’s interview the sisters were earning $39.00 a month. They were hoping for a raise. There were daily protests going on due to the recent Rana Plaza building accident earlier that year. An eight-story mixed-use building containing factories, a banking institution, apartments and various shops collapsed. With a death toll of 1,129 and 2,500 injured, it is considered the deadliest garment factory accident in history, as well as the deadliest accidental structural failure. Nonetheless, the sisters feel safe in the factory where they work – there are fans and fire exits.
Minu is married and she, her husband and Shimu live together in a room. They pool their money to pay the bills and the rent. Minu sends money to her daughter who lives with their parents. Shimu occasionally sends money home – she is able to save money and buy whatever items she wants such as a television. The sisters cook and eat their meals together. They cook enough food for the three of them to have three meals a day. Their living arrangement might sound dreadful, but in comparison to the village they come from, the women are living quite comfortable.
With the sisters’ incomes, their parents are able to purchase meat and fish, they pay for their younger brother’s education and provide financial support for Minu’s daughter.
The women’s lives are very different from their parents. In addition, there is also a big difference between the sisters. For example, their parents chose a husband for Minu, that to date, she regrets and will not forgive her parents for doing so.
On the other hand, Shimu will not allow her parents to choose a husband for her. She is saving money for a wedding to a man of her choosing. Apparently it is a Bangladeshi custom for the parents to choose their daughter(s) husbands and for the husband to take on the responsibility of providing support and lodging for the wife. Shimu is very adamant about choosing her own partner.
Finally, after all of the fascinating processes have taken place, a T-shirt is sent to the retailers. But next time I pick up a T-shirt I will reflect on how it has traveled from one side of the world to another and mostly about the people who are part of its production. I will contemplate about their lives and hopes, but mostly that the factory workers stay safe. Who knew that a simple T-shirt had such a thought-provoking inception. From its creation to the retailer and consumer, the T-shirt steps are fascinating and interesting. One cannot imagine that since its birth, the T-shirt goes through various processes in several environments.
Revolutionizing And Destroying The T-Shirt
I was immediately inspired by Mary Ping’s revolution to take the idea of a T-shirt with a pocket and see beyond the minimalism to see something of creation and reconstruction. To go beyond that, I see a paradox of destructing the T-shirt to create something new. The invention of the T-shape was using minimal fabric and this is central to Ping’s ideals and vision. I was inspired by two images I found on her website, which showed me how cut-outs in a T-shirt leave so many possibilities for design.

Link – Spring Summer 2008

Link – Spring 2006 Ready-to-Wear
My Urban Outfitter’s T-shirt started as a basic T-shape, and I was impelled by Ping to do something radical against the “norm”. I am always relying on rules, practices, and instructions to tell me how and when I should do something. So, I wanted this T-shirt to become my destruction against the “norm”. I wanted to destroy seam lines and rip apart the basic construction. Here’s how the shirt started so you have an idea:
And the plan was simply: have no plan. I got out of my own mind and just started cutting and ripping apart the T-shirt. I like how once I started ripping strips of fabric away from the label, that the shirt looked like it was bleeding white. It was started this dripping effect as the fabric pulled away and hanged down in strips due to normal effects of gravity. As Ping sees her work as objects, I saw my deconstruction as an object. I also had William Morris in the back of my mind when he said in “The Revival of Handcraft”, “…it is not uncommon to hear regrets for the hand-labour in the fields, now fast disappearing from even backward districts of civilized countries” (20). So the combined cut-out inspiration from Ping and the use of my hands to tear up this shirt allowed me to have a free will in creation and a freedom in my destruction. Isn’t fashion supposed to be mobile, in the way it changes our demeanor, but also how it becomes mobile when we touch it, change it, and recreate it? Using my hands created a literal movement as I tore up the shirt while revolutionizing how the T-shirt will move once it is worn. This T-shirt is my freedom, and it was a liberation during this process to see an object becoming something new in the ever recycling world of fashion. The final product? Look below:
Here is my new T-shirt that has an element of space taken away from it, but still occupies space as an object. To understand this reconstruction better, here is quote on page 218 by Pietra Rivoli’s “The Travels of a T-Shirt in The Global Economy: An Economist Examines the Markets, Power, and Politics of World Trade”:
The global used clothing industry is also a fascinating study in the market for ‘snowflakes’, as almost every item of clothing that enters the trade is unique. At the raw cotton stage, any bale of similarly graded cotton is interchangeable with any other, and once certain characteristics are specified, plain-white T-shirts, too, are interchangeable”
All I can hope is that my object of reconstruction and movement echoes what the T-Shape was originally used for. It is wearable and functional; it is still a black t-shirt with a design. The difference is that the T-shirt has become my object of defiance to the rules, as I saw Ping do with her collections. I moved the T-shirt’s shape; in a way, I changed it’s demeanor on the way it sits on a hanger. It will forever be mobile in the way newly loose fabric hanging down that can be swayed in multiple directions which symbolizes my freedom. Most importantly, it’s a symbol of my destruction.
Carolyn J Cei
From Simple To Chaos
Fashion is ubiquitous in every form and in every way imaginable. People need clothes or else we would be naked literally, as well as without our public identity as well. Fashion isn’t about an attitude or a look, it’s the way in which we can present ourselves at large. The day started off interesting when we had a fire drill, and I was a bit skeptical if we were going to do our workshop. However, once everyone started to work on their t-shirts, that feeling disappeared.
My t-shirt was a light green v neck that was too baggy and exposed to wear anymore. So I decided to make it unique, by adding dress pins to the v neck. I also added pleated newspapers and fabric belts to make it look punk. I enjoyed adding on things that one might consider “trash” and use it to liven up an old t-shirt.
In the center right of the t-shirt, I found an image that captured my thoughts on fashion as a whole. It’s an image of construction workers wearing their protective gear placed on the shirt I created as a form of expression. Fashion can either be for self-expression/individuality or to conform to society/workplace. Overall, the project gave me a new perspective on using everyday items/objects to create something new.
As Freddie Mercury of Queen once said, it’s ok to have fun with your clothes. So next time, you see a dirty or an old t-shirt don’t throw it out! Instead go crazy or have fun with the t shirt, after all fashion should express who you’re as a person.
Jersey to Headbands
I have been a fan of soccer for my entire life. I have witnessed tremendous players such as Pirlo and Cristiano Ronaldo. I have enjoyed victories and mourned defeats. Through it all, I have remained faithful to my teams and players. In addition to the level and quality of soccer I have enjoyed from countless players, one thing always stands out: the players’ fashion inclinations on the field.
From low cuts to dreadlocks, every player has different ways of styling his hair. Some use gel, and some use nothing. One thing I always enjoyed seeing was players using headbands to keep their hair back. Different players may like thick headbands, while others may prefer thinner headbands.
My decision to turn an old jersey into multiple headbands was inspired by players like Memo Ochoa, David Beckham, and even Gareth bale. I created a variety of headbands: thick, medium, and thin. The thin headbands are more suitable for long and straight hair, while the thicker headbands are more suitable for short, puffy hair.
Stallybrass Handout Question 3
When my mother passed away a few years ago, I was not able to sift through her clothes and shoes. I did not have a problem going through her jewelry, skincare products or fragrances yet I could not get myself to look inside her wardrobe. In opening her closet and drawers, touching the fabrics she held so close to her body and smelling her familiar scent, the recollections and memories would have been too much to bear. Recalling when she wore a top, jacket, skirt or pair of slacks to work, during a holiday or at a family gathering – I would not be able to bear the memories. There was absolutely no way I would have been able to touch her clothes – it was too painful. Had I sifted through her closet and touched her clothes, I would have felt I was violating her privacy; I did not have the right to touch her belongings.
I remember clearly the day my sister, niece and I arrived at my mother’s apartment after the funeral service. It was unbearable – I love my mother so much that I could not stand to look or touch her belongings; it was as if her presence was everywhere. As I gazed around her empty home, I saw her image all over, how she occupied space – sitting at the dining room table, on the sofa reading the Times and cooking in the kitchen.
My sister and niece sifted through my mother’s closet. They selected, examined and filtered through her dresses, slacks, outerwear and shoes. These items held my mom’s “gestures, both reassuring and terrifying, touching the living with the dead” (36) and of course her smell. Yes, my mother’s clothes and possessions were there, but her body was gone. As stated by Stallybrass, “When a person is absent or dies, cloth can absorb his or her absence presence” (38). This is precisely the reason why I could not partake in removing and packing my mother’s belongings – the task was too overpowering for me. Consequently, my sister and niece packed our mother’s clothes in boxes while I made idle chatter and pretended to organize random items. My sister and niece kept most of my mother’s possessions which they keep in their attics. Occasionally my sister will search through a box and select a blouse or blazer to wear. She says it keeps her close to our mother. As described by Stallybrass regarding Allon White’s jacket, he “was inhabited by his presence, taken over. If I wore the jacket, Allon wore me.” My sister as well feels that wearing our mother’s clothes would give her the sense of our mother wearing her. I, on the other hand will never be able to look through the boxes and wear an item, as nine years later, it still hurts.
I was rather impressed with my sibling’s ability to handle the removal of my mother’s possession; how my sister and niece were strong, kept their feelings hidden, yet all I felt was “absence, darkness, death, things which are not” and would never be the same, a sense of nothingness, nothing would be the same again. I could not touch the cloth, because every item symbolized a time, a day, an event spent with the person I most loved.
Unlike Laurence Lerner’s father who got rid of his wife’s clothes when she passed, my sister will never donate mother’s clothes or take to a second-hand shop. In doing so, would seem as if we are discarding my mother’s memory, as if putting an end to something that was; as if our mother never existed, erasing my mother’s life.
Mother’s clothes are saturated with her shape, smell and gestures. Her hands touched every piece of clothing she wore. As a result, it is too painful for me to handle her clothes. My mother is “there in the wrinkles of the elbows, wrinkles which in the technical jargon of sewing are called “memory” …” (36).

From Jeans to Hairband
By Valerie Sekera
My sense of style was definitely influenced by my mother. Although she passed away seven years ago when I was only 18, our fashion sense was very similar. I looked up to her and would try to imitate the way she dressed. She was the first person I learned any type of “fashion rule” from, such as match your bag to your shoes. She also went for a classic look with a few trendy items thrown in. However, she never threw out her trendy pieces that quickly went out of style when she was younger because she was a firm believer that fashion always repeats itself. She was right, and this works in my benefit, because a lot of those things are or have been back in style and I was able to raid her closet.
My mother is the one who gave me the pair of jeans I turned into a hairband for our fashion practice Lab. They were my favorite jeans from the moment she gave them to me because I loved the color and they fit me fantastically. I wore them so often that they began to stretch and fade. They also ripped a little. Even though they had reached a point where I could no longer wear them, I could not bring myself to part with them because it was a gift from her I had loved so much. As soon as I found out about the fashion Lab assignment, I knew right away that I would use those jeans. It is satisfying to know that I was able to turn those jeans into something that I can wear again. I think the headband will be a cute summer accessory, especially at the beach or the pool. I will think of my mother every time I wear it.
However, since my mother did not always follow newer trends and a classic style is often meaningless to children, I can remember a time her fashion advice led me to an embarrassing moment. I went to Catholic high school so most days everyone had to wear a uniform. However,, there were several “dress down” days throughout the year when the students could wear their own clothes. It was the beginning of my freshman year and I had picked out jeans and a white sweater to wear. I asked my mom how I looked and she told me that I should tuck my shirt in and add a belt. I did so without any hesitation. Although that look has come back into style now, at the time it was not. When I got to school and took off my jacket, my new friends laughed at me and told me I needed immediately un-tuck my shirt. Although that memory may sound insignificant, it was embarrassing for me in the moment since I was younger and trying to impress a new group of peers. I remember feeling shocked and almost betrayed that my mother could lead me wrong. It was the moment that I realized while it was ok for my mother to be a fashion influence, I still needed to develop my own sense of style and not blindly follow someone’s recommendations.